![]() Harman stays lesser known and seems oddly underused, though he is on stage for much of the show. Harman and Caton have the same platonic chemistry of the film and both actors suit their parts, though Caton is more vivid, bringing sensitivity and heart to her tragic backstory. The projections signpost changes of time and place effectively, moving from the opening murder of art curator Jacques Saunière to crypts, country houses and a plane journey from Paris to London (clouds whiz by along the stage walls).Īctors sit along the sides, sometimes surging forward in choreographed sequences (lifting a character in the air, for example) that work well, but also occasionally chanting in a chorus that feels flat-footed and unnecessary. ![]() Plenty of Leonardo da Vinci thrown into the optics … Nigel Harman and Hannah Rose Caton in The Da Vinci Code.
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